Slater Bradley
Installation View
October 3November 14, 2009
Installation View
Hope from a Dark Place
November 3December 22, 2007
Installation View
Curated by Slater Bradley
July 1August 19, 2006
The Doppelganger Trilogy
The Doppelganger Trilogy
December 11, 2004January 22, 2005
Installation View
Adam McEwen, Steven Shearer, Aida Ruilova, Nigel Cooke, Julian Hoeber, Slater Bradley and Chris Vasell
February 8March 15, 2003
Installation View
September 4October 4, 2003

SLATER BRADLEY

Born

San Francisco, CA, 1975

Education
University of California, Los Angeles, CA, B.A.

Lives and works in Brooklyn, New York

One-Person Exhibitions

2013
A Point Beyond the Tree
, Sean Kelly, New York, NY
she was my la jetée
, Galerie Helga de Alvear, Madrid, Spain
Sequoia: Recent Work by Slater Bradley, Johnson Museum of Art, Ithaca, NY
Dead Ringer: Slater Bradley and Ed Lachman, 21c Museum Hotel, Bentonville, AR

2011
Slater Bradley and Ed Lachman: Look Up and Stay In Touch, Aspen Art Museum, Aspen, CO
Never Bet Against Me, Max Wigram Gallery, London
Slater Bradley and Ed Lachman: Shadow, Galeria Helga de Alvear, Madrid, Spain

2010
Slater Bradley and Ed Lachman: Shadow, Whitney Museum of American Art, New York, NY
Clean Slate,
PSM Galerie, Berlin, Germany

2009                 
Nothing Changes How It Used To Be, Frans Hals Museum, Haarlem, The Netherlands
Boulevard of Broken Dreams, Max Wigram Gallery, London, UK (with Ed Lachman)
If we were immortal, Team Gallery, New York, NY (with Ed Lachman)

2008                                                     
Perfect Empathy,
Taka Ishii Gallery, Tokyo, Japan

2007                                                     
Hope from a Dark Place
, Blum & Poe, Los Angeles, CA
The Unreleased Factory, Max Wigram Gallery, London, UK
Tonic-Clonic, Galeria Helga De Alvear, Madrid, Spain
The Armory Show, New York, NY (under the auspices of Team Gallery)
Contemporary Art Museum, St. Louis, MO

2006
The Abandonments, Team, New York, NY
In a Mixed State, Max Wigram Gallery, London, UK

2005
Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan
Intermission, Galerie Lisa Ruyter, Vienna, Austria
Lifetime Achievement, Savannah College of Art and Design, Savannah, GA
Slater Bradley/MATRIX 216: The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, Berkeley CA
Recent Acquisitions: Slater Bradley’s Doppelganger Trilogy, Guggenheim, New York, NY (curated by Nancy Spector)

2004
The Doppelganger Trilogy, Blum & Poe, Los Angeles, CA
Stoned & Dethroned, Team Gallery, New York, NY

2003
Nobody Gives a Fuck What You Go Do With Your Life, MW Projects, London, UK
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY (cat.)

2002
The Armory Photography Show, New York, NY (under the auspices of Team Gallery)
Here are the Young Men, Team Gallery, New York, NY Universitätsstadt Kaiserslautern, Kaiserslautern, Germany
Art + Public, Geneva, Switzerland
Keys in the Mailbox, Arndt & Partner, Berlin, Germany

2001
Video Cube, FIAC, Paris, France (under the auspices of Galerie Yvon Lambert)
Statements, Art l 32 l Basel, Basel, Switzerland (under the auspices of Team Gallery)
Trompe Le Monde, Galerie Yvon Lambert, Paris, France Home Town Hero, Refusalon, San Francisco, CA

2000
Special Projects Series, P.S.1, Long Island City, NY
Charlatan, Team Gallery, New York, NY
I was rooting for you, Irvine Fine Arts Center, Irvine, CA

1999
The Fried Liver Attack, Team Gallery, New York, NY

Group Exhibitions

2014
Cinema Remake, Eye Film Institute, Amsterdam, Netherlands
Infinite City, Zabludowicz Collection, London, UK 

2013
London: City of Disappearances, CCA Wattis Institute for Contemporary Arts, San Francisco, CA 

2012
Sound Quality, Grey Area, New York, NY

2010
NEW YORK The Loudest, Gallery Koko, Tokyo Japan
I Believe in Miracles, Lambert Collection, Avignon, France
Landscapes, Magazzino D'Arte Moderna, Rome, Italy
Sur le Dandysme, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain
This Is My Condition, Galeria Filomena Soares, Lisbon, Portugal
Fourteen Again, Chelsea Art Museum, New York, NY (curated by Micaela Martegnani and Micaela Giovannotti)
Kurt, Seattle Art Museum, Seattle, WA

2009
Inaugural Group Exhibition, Blum & Poe, Los Angeles, CA
Installations II: Video from the Guggenheim Collections, Guggenheim Museum Bilbao, Bilbao, Spain
Herd Thinner, Charest Weinberg Gallery, Miami, FL (curated by David Hunt)
Incarnational Aesthetics, NYCAMS, New York, NY (curated by Jenny Jaskey and Stamatina Gregory)
100 Years (Version #2), P.S.1, Long Island City, NY
Geography of The Imagination, Lead Apron, Los Angeles, CA(curated by Michael Briggs)

2008
The Object is the Mirror (Part II), Wilkinson Gallery, London, UK (curated by Max Henry)
The Ghost in the Machine, Kunstnernes Hus, Oslo, Norway (curated by Elisabeth Byre and Susanne Sather)
Still, Center for Visual Art, Denver, CO
VOLUME(S), Casino Luxembourg, Luxembourg, (by Marc Clement and Kevin Muhlen)
Rock My Religion, Domus Artium 02, Salamanca, Spain (curated by Javier Panera)
Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal (curated by Alexandre Melo)
Accessories to an Artwork, Paul Stolper Gallery, London, UK (curated by Peter Saville)
Auto Stop, Malmo Konsthall, Malmo, Sweden
A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, LA
Center for Visual Art, Metropolitan State University, Denver, CO (curated by Greg Watts and Cinthia Fiss)

2007
The Object is the Mirror, Layr Wuestenhagen Contemporary, Vienna, Austria (curated by Max Henry)
The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, The Netherlands (curated by Karel Schampers)
Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (traveled to Haggerty Museum of Art, Marquette University, Milwaukee, WI; curated by Andrea Inselmann)
Sweet Bird of Youth, Arndt & Partner, Berlin, Germany (curated by Hedi Slimane)
Noise, TH Inside, Milan, Italy (curated by Elena Bordignon)
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, IL (traveled to the Museum of Contemporary Art, Miami, and Musée d'Art Contemporain de Montréal, Montréal; curated by Dominic Molon)

2006
Open House (curated by Alexandre Melo) Ellipse Foundation, Cascais, Portugal
Young at Heart (curated by Alexandre Melo) Galeria Presenca, Portugal
Busan Biennale, Busan Museum of Modern Art, Busan, Korea (cat.)
Belief and Doubt (curated by Heidi Zuckerman Jacobsen) Aspen Art Museum
Aspen, CO
People (curated by Eduardo Cicelyn and Mario Codagnato) Madre Modern Art Museum, Naples, Italy
Boisterous Anderson Gallery, Copenhagen, Denmark
Full House Kunsthalle Mannhelm, Mannheim, Germany
Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France
Human Game, Winners and Losers (curated by Francesco Bonami) Pitti Foundation, Florence, Italy
Smoke and Mirrors: Deception in Contemporary Art, UAB Visual Arts Gallery, Birmingham, AL
Setting the Scene (curated by Adrienne Drake) Discoteca di Stato Museo dell’
Audiovisivo Auditorium, Rome, Italy
Youth of Today (curated by Matthias Ulrich) Schirn Kunsthalle Frankfurt, Frankfurt, Germany
I love My Scene: Scene 2 (curated by Jose Freire) Mary Boone Gallery,
New York, NY

2005
The Gravity in At (curated by Theo Tegelaers and Rene Daalder) De Appel Foundation, Amsterdam, The Netherlands
Le Studio: Slater Bradley Yvon Lambert, Paris, France
Superstars: The Principe of Reknown, Kunsthalle Wien, Vienna, Austria (curated by Thomas Mießgang, Heike Eipeldauer, Florian Steininger, with catalogue, traveling to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Artium 2002, Salamanca, Spain)
3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
Star, Star Contemporary Arts Center, Cincinnati, Ohio
Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany
Downstrokes and Feedback, Allston Skirt Gallery, Boston, MA (curated by Lisa Schiff)
Bridge Freezes Before Road, Gladstone Gallery, New York, NY, 24 June – 19 Aug.
Threshold, Max Wigram Gallery, London, England
video-musica-video (curated by Bob Nickas) Museo Reina Sofia, Madrid, Spain
La Collection D’ Enea Rich, Collection Lambert Avignon, France

2004
Premieres, The Museum of Modern Art, New York, NY
I Feel Mysterious Today, Institute of Contemporary Art, Palm Beach, FL (cat.)
Me, Myself and I, University Galleries, Florida Atlantic University, Boca Raton, FL (curated by Paul Laster and Renee Riccardo)
A Very Liquid Heaven, The Tang Museum, Saratoga Springs, NY (cat.)
Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, The Salina Art
Center, Salina, KS (curated by Shamim M. Momin, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL, The Indianapolis Museum of Art, IN) (cat.)
Music/Video, Bronx Museum of Art, Bronx, NY
Motion Stills, Savannah College of Art and Design, Atlanta, GA
Harlem Postcards, Studio Museum Harlem, Harlem, NY
Stalemate, Museum of Contemporary Art, Chicago, IL
Unlightment, Galerie Nationale du Jeu de Paume, Paris, France
The Yugoslav Biennial, Vrsac, Serbia (cat.)
The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
Portraits, Esso Gallery, New York, NY
The Whitney Biennial, The Whitney Museum of American Art, New York, NY(cat.)
Playlist, Palais de Tokyo, Paris, France (cat.)

2003
When Darkness Falls, Gallery 400, University of Illinois, Chicago, IL (curated by Melanie Schiff and Kirsten Van Deventer, traveled to Midway, Saint Paul, MN)
An Enquiry into those Kinds of Distress which excite agreeable Sensations (1773): Slater Bradley & Banks Violette, Team Gallery, New York, NY
Blum & Poe, Los Angeles, CA
from the flat files, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand (curated by Brian Butler and Amada Cruz)
Study, Taka Ishii Gallery, Tokyo, Japan
What am I doing Here?, ESSO Gallery, New York, NY
Then The World Would Be Upside Down, Tina Kim Projects, New York, NY (curated by Randy Moore)
Country Mouse, City Mouse, Space 101, Brooklyn, NY (curated by David Hunt)
I See a Darkness, Blum & Poe, Santa Monica, CA
The Fourth Sex: The Extreme People of Adolescence, Fondazione Pitti Immagine, Florence, Italy (curated by Francesco Bonami and Raf Simons)
Someone to Watch Over Me, Smart Project Space, Amsterdam, Netherlands (curated by Thomas Peutz and Una Henry)

2002
The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galeria Helga de Alvear, Madrid, Spain (curated by Charlotte Schepke)
Nuit Blanche: plus qu’une image, Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France (curated by Caroline Bourgeois)
Music/Video, Musée d’Art Moderne et Contemporain, Strasbourg, France (curated by Lydia Yee)
Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
Art Unlimited, Art | 33 | Basel, Basel, Switzerland (under the auspices of Team Gallery) (cat.)
Slater Bradley, Mark Leckey, John Williams Lawson, Menzies Flynn, Low, Los Angeles, CA
International Contemporary and Emerging Art, Sydney, Australia
The Standard Projection #3, The Standard, Los Angeles, CA (curated by Yvonne Force)
Photographier, Collection Lambert en Avignon, Avignon, France
burst, Team Gallery, New York, NY
Copy, Roth Horowitz Gallery, New York, NY (curated by Neville Wakefield)
Heaven Knows I’m Miserable Now, Low, Los Angeles, CA
Dark Spring, Ursula Blickle Stiftung, Kraichtal, Germany (curated by Nicolaus Schafhausen and Liam Gillick) (cat.)

2001
Casino 2001, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (curated by Jeanne Greenberg Rohatyn) (cat.)
Art and Wellbeing: The Aesthetics of Recreation, Kunsthaus Meran-Merano Arte, Merano, Italy (curated by Andrea Domesle) (cat.)
Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey (curated by Elga Wimmer, traveling to the Reina Sofia, Madrid, Spain)
Le Studio at Galerie Yvon Lambert, Paris, France
Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, NY
Schau mir in die Augen, Kleines! Kunsthalle Fridericianum, Kassel, Germany (curated by René Block) (cat.)
In a Lonely Place, National Museum of Film, Television and Photography, West Bradford, UK (curated by Greg Hobson) (cat.)
Dear Dead Person, Momenta, Brooklyn, NY (curated by Banks Violette)

2000
Friction Fiction, Echo Park Projects, Los Angeles, CA 1:1, Refusalon, San Francisco, CA
The World is Not Enough, Museum of Contemporary Art, Washington, DC (curated by Lisa Ruyter)

1999
SoCal Car Culture, Irvine Fine Arts Center, Irvine, CA (cat.)
PO + KU ART REVOLUTION, Parco Gallery, Tokyo, Japan (curated by Takashi Murakami)
Oh my god, I live on the thirteenth floor in Holland, which does not exist in the United States, or no?, Alternative Space, Amsterdam, Netherlands (curated by Jay Batlle)
long cold winter in an endlessnameless, Studio 870, Los Angeles, CA

1998
Blind Date with Erik Wesselo, W139, Amsterdam, Netherlands (cat.)
A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, CA
Text and Numbers, Remba Gallery, Los Angeles, CA

1997
Ca 90001-185, W139, Amsterdam, Netherlands

Bibliography

2014
Blanch, Andrea. "Interview with Slater Bradley: The Three." Musée, March 27, 2014.
2013
Rozental, Rotem. "Slater Bradley." Artforum.com, viewed December 18, 2013.Fonts, Carlos J. "Slater Bradley: A Point Beyond the Tree." Muséemagazine.com, December 16, 2013.
"Slater Bradley: She Was My la Jetée." Nowness.com, April 5, 2013.
Tanenbaum, Kayla. "Slater Bradley, to the Point." Interview.com, viewed December 18, 2013.Turcihin, Olya. "A Photographer's Tour: Robert Mapplethorpe and Slater Bradley." Arte Fuse, December 17, 2013. 

2011
Shafer, Ryan, ed. Look Up and Stay In Touch: Slater Bradley & Ed Lachman. Aspen, CO: Aspen Art Press / Aspen Art Museum, 2011.

2010
Campos, C. “This Is My Condition.” Arte y Parte, no. 87 (June-July 2010): 115.
Cashdan, Marina. “Live Souls.” Modern Painters 22, no. 2 (March 2010): 32-34.
Gordon, A. “Looks Like Teen Spirit.” ARTnews 109, no. 5 (May 2010): 39.
Rappolt, Mark. “We Care A Lot.” ArtReview, no. 44 (October 2010): 72-74.

2009                 
Coorner, Martin. “Boulevard of Broken Dreams.” ArtReview, no. 34 (September 2009): 125.
Kley, Elizabeth, Immortal Beloved, Artnet, December 2, 2009.
Villarreal, Jose, Installations II: Video from the Guggenheim Collection Opens in
Bilbao, ArtDaily, March 3, 2009.

2008                 
Paterson, Carrie. “Slater Bradley.” Flash Art 41, no. (January-February 2008): 148-149.
Pendle, George, Con Artists, Modern Painters, December 2008, p.68-73
Unsigned Article, J.B. Blunk, San Francisco 20th Century Art & Design Show Catalog, 2008, 18-20.

2007                 
Coburn, Tyler. “Slater Bradley: Man in the Mirror.” ArtReview, no. 17 (December 2007): 74-77.
Goldstein, Ben, Sonic Boom: Exploring art’s explosive relationship with rock, Men Style.com, September 28, 2007
Sholis, Brian. “Slater Bradley: Team.” Artforum 45, no. 6 (February 2007): 295.                                                 

2006                                                     
Art Picks, New Yorker, December 6, 2006, p.23
Bonham-Carter, Charlotte, Showdown, ArtReview, March 2006, p.25
Feldman, Melissa E.  “Slater Bradley at Berkley Art Museum and Blum & Poe.”  Art In America 94, no. 1 (January 2006): 128-129.
Genocchio, Benjamin, Slater Bradley, New York Times. December 8, 2006, p.E29
Herbert, Martin, Slater Bradley, Time Out London, May 3-10, 2006, p.41
Kley, Elisabeth. “Slater Bradley.” ARTnews 105, no. 6 (June 2006): 168.
Kley, Elisabeth, Slater Bradley, Time Out New York, November 30, 2006, p.76
Kunitz, Daniel. “Cinephile: Slater Bradley.” ArtReview, no. 5 (November 2006): 46.
Uran, Pelin, Slater Bradley: An Interview, UOVO, Issue 11, p.156-69
Weber, Bruce, The Renegades, W, February 2006

2005                 
Bradley, Slater. Speak Memory: Reflections on the Doppelganger Trilogy, PAJ: A Journal of Performance and Art, January 2005, pg.108-110
Cotter, Holland. Art in Review: 5 X U. New York Times. July 22, 2005, p.E32
Cotter, Holland, Fanciful to Figurative to Wryly Inscrutable New York Times July 8, p. E29 & 31
DiPietro, Monty, New Art Seen Japan Times, November 17
Jones, Kristin M., Bridge Freezes Before Road, Frieze, October 2005, p.217-218
Keats, Jonathan, Popshots San Francisco, April
Kley, Elisabeth. The Disappearing Subject: Looking for Slater Bradley, PAJ: A Journal of Performance and Art, January 2005, pg. 102-107
Lo, Melissa. “Slater Bradley.” Flash Art (International) 38, no. ? (March-April 2005): 117-118.

2004                 
A Very Liquid Heaven
, The Tang Museum, New York, NY, 2004 (cat.)
Dawn, Randee. Artist Salutes Cobain With New Music Video, Billboard.com
Diez, Renato. Alla Bienale del Whitney: Torna la Pittura, Arte, April 2004, pg. 104-111
Heartney, Eleanor The well-tempered Biennial Art in America June-July p.71-77
Hilderbrand, Lucas. Grainy Days and Mondays: Superstar and Bootleg Aesthetics, Camera Obscura 57, Duke University Press, pg. 56-91
Kimmelman, Michael. Touching All Bases At The Biennial, New York Times, March 12, 2004, pg. E27, 38
Knight, Christopher. Binary days at the Biennial, Los Angeles Times, April 11, 2004, p. E43
Milroy, Sarah. Art in a tremulous time, Globeandmail.com, March 17, 2004
Piranio, Michelle, ed. I Feel Mysterious Today.  Palm Beach Institute of Contemporary Art, 2004.
Rosenberg, Karen. Come as You Art, New York, February 23, 2004, p. 76
Saltz, Jerry. The OK Corral, Village Voice, March 17-23, 2004, p. 80
Schambelan, Elizabeth. Critic’s Picks, Artforum.com
Schjeldahl, Peter. What’s New: The Whitney Biennial, New Yorker, March 22, 2004, pg. 100-101
Sladen, Mark. Buried Treasures, Art Review, January 2004, pg. 37-38
Stringfield, Anne. Art Picks, New Yorker, March 8, 2004, p. 17
The Whitney Biennial
, The Whitney Museum of American Art, New York, NY, 2004 (cat.)
Wada, Kyoko. Boys’ Life: Slater Bradley, Brutus, August 2004, pg. 90-93, 116
Willis, Holly. The Doppelganger Trilogy, LA Weekly, December 24-30, 2004, p. 74
Wilson, Michael. I, Assassin, Frieze, May 2004, p. 107

2003                 
Cotter, Holland. Upstate, From Eerie Video to Moods of Shaker Calm, New York Times, July 25, 2003, p. 35
Fujimori, Manami. Very New York, Bijutsu Techi, January 2003, p. 45
Genocchio, Benjamin. Video and Photographs That Teeter on the Edge, New York Times, August 17, 2003, p. 7
Harris, Jane. Review of ‘An Enquiry…,” Time Out New York, October 2, 2003, p. 63
Knight, Christopher. On the Underbelly of the Zeitgeist, Los Angeles Times, February 21, 2003, p. E24
LaBelle, Charles. Review of ‘I See a Darkness,’ Frieze, June/August 2003, p. 116
Mar, Alex. Gallery Going, New York Sun, July 3, 2003, p. 16
Valdez, Sarah. The Observer, Paper Magazine, August 2003, p. 48
Watson, Simon. Post Bubble, Issue, Fall 2003, pg. 118-139
Weiner, Clay. The Importance of Being Slater Bradley, Dazed and Confused, November 2003, pg. 100-104

2002                 
Cohen, Michael. “Slater Bradley: Team.” Flash Art (International) 35, no. 225 (July-September 2002): 118.
Cotter, Holland. Art In Review: ‘Slater Bradley,’ New York Times, May 17, 2002. p. 35
Dark Spring
, Ursula Blickle Stiftung, Kraichtal, Germany (cat.)
Schwendener, Martha. Review, Time Out New York, May 23-30, 2002, p. 76

2001                 
Boyer, Charles-Arthur. “Jonathan Horowitz, Slater Bradley: Galerie Yvon Lambert.” Art Press, no. 269 (June 2001): 79-80.
Cotter, Holland. Review of ‘Dear Dead Person,’ The New York Times, May 25, 2001, p. E29
Guerrin, Michel. Intimacies dérangeantes, Le Monde, April 1, 2001
Henry, Max. “Slater Bradley at Team.” Art in America 89, no. 4 (April 2001): 144.
Hunt, David. Review, Frieze, March 2001
Iida, Takayo. Slater Bradley, Bijitsu Techi, March 2001
Isé, Claudine. Feature, Res Magazine, March 2001
Kley, Elizabeth. In Search of False Time: Slater Bradley/T.J. Wilcox/ Isaac Julien, PAJ: A Journal of Performance and Art, No. 68, May 2001, pg. 61-67
Lepore, Louise. Early Risers, W, September 2001, pg. 458-462
Levin, Kim. Voice Choice: ‘Objects in Mirror are Closer Than They Appear’, Village Voice, September 18, 2001, p. 78
Westbrook, Lindsey. Review of ‘Home Town Hero’, San Francisco Bay Guardian, January 17-23, 2001, p. 85

2000                 
Levin, Kim. Voice Choice: Recommended, Village Voice, October 10, 2000, p. 104
Lin, Jeremy. Prodigies: View Master, Surface, November 2000, pg. 1, 108,110
Mahoney, Robert. Review, Time Out New York, September 21-28, 2000, p. 69
Plasse, Dana. Dress Rehearsal for Death: Slater Bradley’s JFK Jr., Indie Planet.com, October 6, 2000
Pizarro, Max. Georgetown gallery strives to keep it real with exhibit, Georgetown Current, September 27, 2000, pg. 16,18
Scott, Andrea. Art Picks, New Yorker, October 9, 2000, p. 18
Smith, Roberta. Review, New York Times, September 15, 2000, p. E33
Sundell, Margaret. “Slater Bradley: Team/P.S. 1.” Artforum 39, no. 3 (November 2000): 157.

1999                                                     
Henry, Max. Edgy New Artist, www.artnet.com, July 1999
Levin, Kim. Voice Choice: Recommended, Village Voice, July 6, 1999

1998                 
Dutch TV, Bellissima, two promotional interviews for “Blind Date” show, September 1998
Dutch TV, P.A.R.K4D, two live interviews for “Blind Date” show, September 1998
Fisher, Kevin. Recital for Flight, World Wide Video Festival Catalogue, September 1998
Hagoort, Erik, What makes a blind date a bad experience, Volkstraat, September 1998
Ise, Claudine. By the Numbers, Los Angeles Times, August 21, 1998
Murakami, Takashi. Studio Voice, 1998 Fall LA Art Scene News, December 1998

1997                                                     
Veratt, Karin. Volkstraat, November 12, 1997
Scholarship supports offers for lifelong opportunities, UCLA Arts Magazine, Fall 1997

Awards and Grants

2005                                                    
The Louis Comfort Tiffany Foundation Award in Video

1998                                                     
UCLA Art Council Grant

1996                                                     
UCLA Two-year Lillian Levenson Scholarship

UCLA President’s Undergraduate Fellowship

Videotapes

1998
Take me home forever and ever, edition of fifty VHS signed and numbered (U.S), unlimited VHS distribution in Japan (Takashi Murakami’s Hiropon Factory)

Video Screenings

1998
power through joy, Melkweg theatre, Amsterdam, Netherlands

Curatorial Projects

2006
The Monty Hall Problem, Blum & Poe, Los Angeles

2004
I, Assassin, Wallspace Gallery, New York, NY

1997
new memory, Spanish Kitchen, Los Angeles, CA

Special Projects

2005-06
Dark Night of the Soul, NASA Art Program with cooperation from the Museum of Natural History

2004
Melody, Blonde Redhead, 4AD
Conquistadors (who took their share), Whitney Gala, Whitney Museum of American Art, New York, NY
Art for Art’s Sake, The Animals

2001

Radio Gra Kill Rock Stars (KRS 369), Unwound

Public Collections
Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY
Ellipse Foundation, Cascais, Portugal
Hamburger Kunsthalle, Hamburg, Germany
The Kramlich Collection, San Francisco, CA
Museum of Contemporary Art, Los Angeles, CA
The Museum of Modern Art, New York, NY
Progressive Collection, Cleveland, OH
The Solomon R. Guggenheim Museum, New York, NY
U.B.S. Collection, Zurich, Switzerland
The Whitney Museum of American Art, New York, NY

Cotter, Holland. “Fanciful to Figurative to Wryly Inscrutable.” NEW YORK TIMES, July 8, 2005, ogs. B27, B29
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Willis, Holly. “The Doppleganger Trilogy.” LA WEEKLY, December 24-30, 2004, pg. 74
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Weiner, Clay. “The Importance of Being Slater Bradley,” DAZED AND CONFUSED, November 2003, p. 100-104
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Cotter, Holland. “Art In Review: ‘Slater Bradley’,” THE NEW YORK TIMES, May 17, 2002. p. 35
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Sundell, Margaret. “Review,” ARTFORUM, November 2000, p. 157
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