Artist's Page

Victor Man

Born in Cluj, Romania, 1974

University of Fine Arts, Ioan Andreescu, Cluj, Romania
Jerusalem Studio School, Jerusalem, Israel

Lives and works in Cluj, Romania and Rome, Italy 

One-Person Exhibitions

Eyelids, Towards Evening, Fondazione Sandretto Re Rebaudengo, Turin, Italy
From Wounds and Starry Dreams
, Galerie Max Hetzler, Paris, France

1837, Abbozzo per un Autoritratto, organized by Gladstone Gallery, Sant'Andrea de Scaphis, Rome, Italy

Die Rose ist ohne Warum. Sie blühet weil sie blühet, Galerie Neu, Berlin, Germany

El Candelero, Museo Tamayo, Mexico City, Mexico
Flowering Ego, Gladstone 64, New York, NY

Blum & Poe, Tokyo, Japan
Fürstenberg Zeitgenössisch, Donaueschingen, Germany

MD72/Galerie Neu, Berlin, Germany
Luminary Petals on a Wet, Black Bough, Galeria Plan B, Berlin, Germany

Gladstone Gallery, New York, NY 

Zephir, Deutsche Bank KunstHalle, Berlin, Germany
, Zachęta National Gallery of Art, Warsaw, Poland
, Haus der Kunst, Munich, Germany

The Third Cover, Galerie Neu, Berlin, Germany
In un altro aprile, Villa Medici, Rome, Italy 
Szindbád, Gladstone Gallery, Brussels, Belgium

The White Shadow of His Talent
, Blum & Poe, Los Angeles, CA
Musée d’Art Moderne Grand-Duc Jean, Luxembourg, France

Lazarus Protocol, Transmission Gallery, Glasgow, Scotland The Painting, the Drawing, and Other Objects and Situations, Kunsthalle Lingen, Lingen, Germany The Painting, the Drawing, and Other Objects and Situations, Overbeck-Gesellschaft, Lübeck, Germany

The Dust of Others, Galleria Zero, Milan, Italy

Centre international d'art et du paysage Ile de Vassivière, Beaumont-du-Lac, France
Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Gladstone Gallery, New York, NY
If Mind Were All There Was, The Hayward, London, UK

Attebasile, Ikon Gallery, Birmingham, UK
Black Hearts Always Bleed Red, Blum & Poe, Los Angeles, CA
On Relative Loneliness, Galleria d'Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy   

without going into the extravagance that’s in trees, Galleria Zero, Milan, Italy
Vestigial Specialization on its Way Out, Johnen Galerie, Berlin, Germany
Johnen + Schöttle, Cologne, Germany

With the First Totters, Annet Gelink Gallery, Amsterdam, Netherlands
The place I’m coming from, Timothy Taylor Gallery, London, UK

Farewell till next time, Annet Gelink Gallery, Amsterdam, Netherlands
Plan B, Cluj, Romania 

Gossips, Galleria Loft Arte, Valdagno, Italy 

Group Exhibitions

Fore-edge Painting, Bibliotheca Hertziana, Rome, Italy, and Museum of Contemporary Art of Rome, Italy
When in Doubt, Go to a Museum, curated by Tevž Logar, City Museum of Ljubljana, Ljubljana, Slovenia

Ex-East: Past and Recent Stories of Romanian Avant-Gardes, Espace Niemeyer, Paris, France
Parfum d’épines, Phillips x VO Curations, VO Curations, London, UK
Claude Mirrors, Schinkel Pavillon, Berlin, Germany
On the Spiritual Matter of Art, curated by Bartolomeo Pietromarchi,  MAXXI, Rome, Italy
La Brique, The Brick, Caramida, La Kunsthalle Centre d'Art Contemporain Mulhouse, Mulhouse, France
Werethings, curated by Mihnea Mircan, Galeria Plan B, Berlin, Germany
Louise Giovanelli, Manchester Art Gallery, Manchester, UK
La Plage, Galleria Zero, Milan, Italy

Lilia & Tulipan, Kunsthalle Lingen, Lingen, Germany
Entrelacs, Centre d'Édition Contemporaine, Geneva, Switzerland

Con amore più che con amore, curated by Giacinto Di Pietrantonio, Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy
The New Frontiers of Painting, Fondazione Stelline, Milan, Italy 

Identity Revisited, The Warehouse, Dallas, TX
Open Ended: Painting and Sculpture since 1900, San Francisco Museum of Modern Art, San Francisco, CA 
These Strangers... Painting and People, S.M.A.K., Ghent, Belgium Cher(e)s Ami(e)s: Hommage aux Donateurs des Collections Contemporaines, Centre Pompidou, Paris, France
Quand Fondra la Neige, Ou Ira le Blanc: Contemporary Collecting at Palazzo Fortuny, Palazzo Fortuny, Venice, Italy
Dépenses, Labanque Béthune, Béthune, France
Quodlibet, Lempertz, Brussels, Belgium
Track Changes, Mendes Wood DM, Sao Paolo, Brazil
Monstres and Madones, Triple V, Paris, France

All the World’s Futures, 56th Venice Biennale, Venice, Italy

Vertiges de la peinture, Maison des Arts,
Le Grand-Quevilly, France 
Franz Graf: Siehe was dich sieht, 21er Haus,
Vienna, Austria
States of Mind,
 Maison Particulière, Brussels, Belgium
The Empty Pedestal, Museo Civico Archeologico, Bologna, Italy
Álmoskönyv, Ujazdowski Castle, Centre for Contemporary Art, Warsaw, Poland
20 Years Galerie Neu, Galerie Neu, Berlin, Germany
Mirror, Frith Street Gallery, London, UK Imitatio Christie’s (partoftheprocess6), Galleria Zero, Milan, Italy

Utopia Starts Small, Fellbach Triennial, Fellbach, Germany
Ein vages Gefühl des Unbehagens, Museum Dhondt-Dhaenens, Deurle, Belgium
Nur hier: Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
Nightfall: New Tendencies in Figurative Painting, Galerie Rudolfinum, Prague, Czech Republic Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
partoftheprocess5, Galleria Zero, Milan, Italy
Dislessica, Bianca Arte Contemporanea, Palermo, Italy
1:1, Atelier 35, Bucharest, Romania Cattedrale, Instituto Svizzero, Rome, Italy
GEN X, Galleria d'Arte Moderna e Contemporanea, San Marino, Italy

A House of Leaves - First Movement, David Roberts Art Foundation, London, UK
Six Lines of Flight, San Francisco Museum of Modern Art, San Francisco, CA
Foreigners Everywhere, Jewish Museum, Vienna, Austria
European Travellers: Art from Cluj Today, Mücsarnok, Budapest, Hungary
Intense Proximity, La Triennale, Paris, France

The Painting, the Drawing and some other Objects and Situations, Kunsthalle Lingen, Germany; traveled to Kunstverein Lübeck, Germany (two person exhibition with Dan Perjovschi) Un’Espressione Geografica: Unità e Identità dell’Italia attraverso l’Arte Contemporanea. Fondazione Sandretto Re Rebaudengo, Turin, Italy

False Recognition,14th Vilnius Painting Triennial, Contemporary Art Center, Vilnius, Lithuania Der Offenen Garten, Kunsthalle Lingen, Lingen, Germany
Romanian Cultural Resolution, Spinnerei, Leipzig, Germany
Berlin show #2, Galeria Plan B, Berlin, Germany Tanzimat, Augarten Contemporary, Vienna, Austria
The Haifa Mediterranean Biennial of Contemporary Art, Haifa, Israel
The concrete garden, off-site project Metz, organized by Centre international d’art et du paysage de l’ile de Vassiviere, France
Antidote 6, Galerie des Galeries, Galeries Lafayette, Paris, France
PPP, Public Private Paintings, Muzee, Ostend, Belgium  

Sequelism. Episode 3:  Possible, Probable, or Preferable Futures, Arnolfini, Bristol, UK Reframing, Centro de Arte Contemporáneo Andratx, Mallorca, Spain
Dreaming the Mainstream, Vilma Gold, London, UK
When the mood strikes, Museum Dhont-Dhaenens, Deurle, Belgium
Biennale Estuaire Nantes/St Nazaire, Le sang d’un poete, Frac des Pays de la Loire, France L’esposizione Universale, Galleria d’Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy Inaugural Group Exhibition, Blum & Poe, Los Angeles, CA
In the Time of Art: Masterpieces from the 16th to the 21st Century, Fundación Proa, Buenos Aires, Argentina

Young Artists Biennial, Re-Construction, Bucharest, Romania
Art Focus 5, Can Art Do More?, Pavilion Benit Center, Jerusalem, Israel
Busan Biennale, Expenditure, Busan, Korea (curated by Tom Morton)
Back to Black, Kestner Gesellschaft Hannover, Hannover, Germany
Kabul 3000: Love Among The Cabbages, Galleria Zero, Milan, Italy
Locked-in, Casino Luxembourg - Forum d'art Contemporain, Luxembourg, France Persona, Centre d’Art du Parc Saint Léger, Pougues-les-Eaux, France
Wessen Geschichte / Whose (His)story, Kunstverein in Hamburg, Hamburg, Germany
Berlin show #1, Galeria Plan B, Berlin, Germany

52 Venice Biennale, Romanian Pavilion, Venice, Italy
Gesellschaftsbilder, Kunstverein in Hamburg, Hamburg, Germany
House Trip, Art Forum Berlin, Berlin, Germany Duet, Lehmann Maupin Gallery, New York, NY Makers and Modelers, Gladstone Gallery, New York, NY
more or less in the same place or another, Galeria Plan B, (with Belu-Simion Fainaru), Cluj, Romania
Past, Present, Future Perfect: Selections from the Ovitz Family Collection, H&R Block Artspace, Kansas City Art Institute, Kansas City, MO
Paper Baglady & Other Stories, Timothy Taylor Gallery, London, UK
Prague Biennale 3, Prague, Czech Republic Filaturen, Sies+Höke, Dusseldorf, Germany     

Farewell to Icon, Anna Helwing Gallery, Los Angeles, CA
Cluj Connection, Haunch of Venison, Zurich, Switzerland
AWOL, Biennial of Young Artists, Bucharest, Romania
The Sun on the Wall, Pavel-House, Laafeld, Austria
Icon, Chung King Project, Los Angeles, CA
Willa Warszawa, Warsaw, Poland
partoftheprocess2, Galeria Zero, Milan, Italy
Dark Dreams, Johnen + Schöttle, Cologne, Germany  

Post Fragile, Analix Forever, Geneva, Switzerland
Expanded Painting, Prague Biennale 2, Prague, Czech Republic
Fragile, Analix Forever, Geneva, Switzerland  

Museum of Art, Cluj-Napoca, Romania 

City Art Museum Ljubljana – Mestna Galerija 1, Ljubljana, Slovenia
Facing the Real, Artist’s House, Jerusalem, Israel
Re: Location 4, Casino Luxembourg - Forum d'art Contemporain, Luxembourg, Luxembourg, France
Views II, Israel Museum, Jerusalem, Israel



Victor Man. Texts by Rachel Corbett, Enzo Cucchi, Erwin Kessler, and Karl Holmqvist. Berlin: Galerie Neu; Cologne: Verlag der Buchhandlung Walther König, 2020. 

Man, Victor. Childhood Drawings for Rózsa. Geneva: Centre d’Edition Contemporaine, 2018.

Feros #3. France: Les éditions Volatiles/Les Presses du reel, 2017.
Paparoni, Demetrio. Le Nuove Frontiere Della Pittura. Milan: Skira, 2017.

Man, Victor. Luminary Petals on a Wet, Black Bough. Berlin: Sternberg Press; Berlin: Galeria Plan B, 2016.
These Strangers…Painting and People. Amsterdam: Roma Publications; Ghent: S.M.A.K., 2016. 2015
Enwezor, Okwui. All the World’s Futures: 56 International Art Exhibition. La Biennale di Venezia. Venice: Marsilio, 2015.
Victor Man. New York: Gladstone Gallery, 2015.

Fau, Alexandra. Vertiges de la Peinture. Grand-Quevilly, France: Maison des Arts, 2014.
Man, Victor. Artist of the Year: Victor Man: Szindbád. Ostfildern: Hatje Cantz Verlag, 2014. 
The 21st-Century Art Book. London: Phaidon Press, 2014. The Uncertainty Principle. Berlin: Sternberg Press, 2014.

Gerhardt, Ulrike. Utopia Starts Small: 12th Fellbach Triennial of Small Scale Sculpture. Koln: Walter Konig, 2013.
Harvey, John. The Story of Black. London: Reaktion Books, 2013. Neal, Jane. Art Cities of the Future. London: Phaidon, 2013. 

Antidote: Collection Ginette Moulin & Guillaume Houzé. Zurich: JRP Ringier, 2012.
DiQuinzio, Apsara, ed. Six Lines of Flight: Shifting Geographies in Contemporary Art. San Francisco: San Francisco Museum of Modern Art; Berkeley: University of California Press, 2012, 14, 29, 118-121. 
Intense Proximité: Une Anthologie du Proche et du Lointain: La Triennale 2012. Paris: Edition Artlys, 2012. 

Herbert, Martin. “Victor Man.” In Vitamin P2: New Perspectives in Painting. London: Phaidon, 2011, 204-207.
Man, Victor. If Mind Were All There Was. Glasgow: Transmission Gallery; Milan: Kaleidoscope, 2011. 

Hoptman, Laura, Yilmaz Dziewior, and Uta Grosenickm, eds. The Art of Tomorrow. Berlin: Distanz, 2010. 
Pirovano, Stefano. Forma e informazione: nuove vie per l’astratto nell’arte del terzo millennio. Turin: Johan & Levi, 2010. 

Dziewior, Yilmaz. “In Conversation with Victor Man.” In Wessen Geschichte: Vergangenheit in der Kunst der Gegenwart, 200-219. Cologne: König, 2009.
Häußler, Harriet and Aeneas Bastian. Aus Künstlersicht: 13 Fragen–51 Interviews. Bielefeld: Kerber Art, 2009: 118-119.
Man, Victor. Attebasile. Birmingham, UK: Ikon Gallery; Ile de Vassivière, France: Centre international d'art et du paysage de l'iîle de Vassivière, 2009. 

Barak, Ami. Bienala Tinerilor Artisti: Re-Construction. Bucharest: META Foundation, 2008: 112-113. 
Görner, Veit. Back to Black: Black in Current Painting. Heidelberg: Kehrer, 2008: 93-97. 
Price, Nigel. Victor Man: Attebasile. Birmingham, UK: Ikon Gallery, 2008. 
Rus, Maria Bojan. Locked in. Luxembourg: Casino Luxembourg (2008): 78-80. 

Kontova, Helena. “Interview with Victor Man.” In Praguebiennale 3: Glocal & Outsiders: Connecting Cultures in Central Europe, by Gabriele Guzzo. Milan: G. Politi, 2007.
Levin, Alon and Mihnea Mircan. Memosphere: Rethinking Momuments. Frankfurt: Revolver, 2007. Marsilio. la Biennale di Venezia, vol. II: 126, 129. 
Storr, Robert. Think with the Senses, Feel with the Mind: Art in the Present Tense. Venice: Marsilio, 2007: vol. 2; 126, 129.  

Nastac, Simona.  Absent Without Leave (AWOL): Biennial of Young Artists. Bucharest: Meta; Goethe Institut Bukarest, 2006. 
Schwabsky, Barry. Victor Man: The Place I’m Coming From. London: Timothy Taylor Gallery, 2006. 
Willa Warszava. Warsaw: Raster; Frankfurt: Revolver, 2006: 88-93. 

Costinas, Cosmin. 32 Romanian Painters. Bucharest: H’art Gallery, 2006: 250-61. 
Kontova, Helena and Giancarlo Politi. Prague Bienniale 2: Expanded Painting/Acción Directa. Milan: Politi, 2005: 106-107.

Moyen, Claude. “Colocation.” In Re: Location 1-7/Shake, 52. Luxembourg: Casino Luxembourg, 2004. 

Articles and Reviews 

Mitchell, Rory. “Art Basel: Advisory Selections.”, September 21, 2021.

“Artist Spotlight: Victor Man.”, December 14, 2020.
Moldan, Tessa. "Gallery Weekend Berlin: Shows to See.", August 25, 2020. 
Quin, John. "Stick Figures & Robotic Systems: At Berlin Gallery Weekend.", September 19, 2020. 
Reyburn, Scott. "In Berlin, the Art World Spreads Out to Stay Safe." New York Times, September 14, 2020. 

Epps, Philomena. “Claude Mirrors: Victor Man, Jill Mulleady, Issy Wood.”, December 15, 2019.

Geers, David. “Victor Man Revisits the Art Historical Canon.”, November 29, 2018. 

Mousse Magazine 61 (December 2017 – January 2018): 171.

Adbusters Magazine 24, no. 1 (Jan/Feb 2016).
Koerner von Gustorf, Oliver. “Vom langen Korridor der Kunstgeschichte.” Architectural Digest Germany, no.170, (June 2016): 92-94.
Reski, Gunter. “Zeitlos oder Antiquarish.” Texte Zur Kunst, no. 103, (September 2016): 203-205. 

Fiduccia, Joanna. “Critics’ Pick.” Artforum, April 2015.
Pavel, Laura. “On Diving into Artistic Potentiality – the Infra-Gaze of Interpretation.” Metacritic Journal 1, no. 1 (October 2015): 36-49.

Nedo, Kito. "Abnehmendes Licht." Art [Germany], April 2014.
Preuss, Sebastian. “Between Myth and Reality: Victor Man’s Existential Painting.” Deutsche Bank ArtMag (March 2014): 36-41.
Verhagen, Erik. “Victor Man.” Artpress, no. 415, (October 2014): 20.

Annarumma, Maria Teresa. "Victor Man, Villa Medici, Roma." Flash Art Italia no. 312 (2013).
Hontoria, Javier. “Critics’ Picks: Victor Man.” Artforum, 2013.
Lavrador, Judicael and Thomas Schlesser. "Dossier / La Peinture Contemporaine." Beaux Arts Magazine no. 345 (2013).
Varzari, Mihaela. "1:1." ARTA, issue 10, 2013.

Bismuth, Léa. “Victor Man dans le nuit du non-savoir.” Artpress, no. 388 (April 2012): 45-48.

"Vassiviére, l'Art a Trouve son île." Beaux-Arts editions, November 2011.
Casavecchia, Barbara. "Un'Espressione Geografica." Frieze, issue 142, 2011.

D’Amaro, Valentina. “Spotlight Victor Man.” Flash Art, no. 288 (November 2010): 80.
Dziewior, Yilmaz. “Where Do You Come From.” PARABOL, no. 5 (2010).
Neal, Jane. “The Two Art Centers of Romania: Cluj and Bucharest; the Cluj Art Scene.” RES Art World/World Art, no. 5 (March 2010): 52-69.
Rabottini, Alessandro. “Looking Back: Solo Shows.” Frieze, no. 128 (January-February): 89.

Beauvalett, Eve. “Memory-Man.”, May 14, 2009.
Clark, Robert. “Victor Man, Birmingham.” The Guardian, January 3, 2009.
Davies, Lillian. “Critic’s Picks: Victor Man.”, April 27, 2009.
Martinez, Raul. “On Relative Loneliness: Victor Man.”, June 17, 2009.
Moulène, Claire. “L'ile de Man.” Les Inrockuptibles, no. 693 (2009): 112-113.
Neal, Jane. “The New Roman(ian) Order.” Modern Painters (September 2009): 54-61.
Sherwin, Skye. “Ten painters you should meet.” Ten Men (Autumn-Winter 2009): 83.
Wakefield, Neville. “Victor Man: Ring of Fire.” Flash Art 42, no. 268 (October 2009): 74-76. 

Bonaspetti, Edoardo. “Interview: Victor Man.” Mousse, no. 12 (January 2008): 16-19.
Busing, Nicole and Heiko Klaas. “Gessellschaftsbilder, Artist.” Kunst Magazin, no. 73 (2008): 48-55.
Campagnola, Sonia. “Victor Man.” Flash Art 41, no. 259 (March-April 2008): 135-136.
Garbarino, Laura. “Il mercato guarda a Est.” Flash Art (Italy), no. 269 (April-May 2008): 124-126. Haddad, Natalie. “Victor Man.” Frieze, no. 115 (April-May 2008): 181.
Hagenaars, Hanne. “Amnesia.” Mister Motely, no. 20 (2008): 109.
Leoni, Chiara. “Yan Pei-Ming, Victor Man, Luca Vitone.” Flash Art (Italy), no. 270 (June-July 2008): 118.
Liebs, Holger. “Der Untergang des Jahres.” Sueddeutsche, December 27, 2008.
McComb, Richard. “Worlds Collide in Victor Man Exhibition.” Birmingham Post, December 16, 2008.
Miles, Christopher. “Darkness Falls, Abstraction Illuminates.” LA Weekly, February 20, 2008. Morton, Tom. “Shape Shifter.” Frieze, no. 119 (November/December 2008): 160-165.
Myers, Holly. “Piece Together the Clues.” Los Angeles Times, February 1, 2008.
Stringfield, Anne. “Critic’s Picks: Victor Man.”, February 19, 2008.
“Transylvania Blues.” The Guide: The Los Angeles Times (January 31, 2008): 22.
Van Den Boogerd, Dominic. “Out of the Cold: On Victor Man’s Work of Restraint.” Art Papers 32, no. 1 (January/February 2008): 22-25.
Van Den Boogerd, Dominic. “Six Uneasy Pieces.” Metropolis M 28, no. 4 (2007): 82-83.

Borcherdt, Gesine and Barbara Gartner. “Die Biennale: Highlights.” Monopol, no. 6 (June 2007): 39.
Casavecchia, Barbara. “Prague Biennale 3.” Flash Art, no. 255 (July-September): 68.
Di Drusco, Fabia. “52 Biennale di Venezia: Victor Man.” L’uomo Vogue, no. 381 (2007): 222. Eichler, Dominic. “Think for a minute.” Frieze (December 2007): 15.
Hohmann, Silke. “Hello Bucharest.” Monopol, no. 1 (January 2007): 64-77.                 
Knoll, Valerie. “Cluj Connection.” ArtForum (April 2007): 286.
Mugnaini, Alberto. “Victor Man.” Flash Art Italia, no. 265 (August-September 2007): 134.
Price, Matt. “Cluj Connection.” Flash Art, no. 253 (March-April 2007): 74.
Rabottini, Alessandro. “Plural Solitude.” MAP, no. 11 (Autumn 2007): 36-41.
Stocchi, Francesco. “Yin and Yang: On the 52nd Venice Biennial.” Spike, no. 13 (2007): 37. V
Van den Boogerd, Dominic. “Six uneasy pieces.” Metropolis M, no. 4 (2007): 82-83.
Watson, Simon. “Victor Man.” Whitewall, no. 6 (Summer 2007): 64.                                         

Casati, Marta. “Part of the Process 2.” Flash Art, no. 250 (October 2006): 62.
Cumming, Laura. “Critic’s Choice.” Observer, May 14, 2006. Insert. Omagiu Magazine, no. 4 (2006): 154-159.
Nastac, Simona. “Victor Man.” Flash Art, no. 251 (November-December 2006): 100-102.
Neal, Jane.  “Coming in from the Cold.” ArtReview (May 2006): 110-113.
Neal, Jane.  “Victor Man at Plan B.” Art in America 94, no. 1 (January 2006): 130.
Politi, Giancarlo and Helena Kontova. “Top 100 Artists.” Flash Art, no. 250 (October 2006): 68-70.
Giancarlo, Politi. “Focus Romania: A Survey of Contemporary Art in Romania.” Flash Art 39, no. 251 (November-December, 2006): 90, 92.
Romano, Gianni.  “Interview with Victor Man.” Contemporary 15, no. 82 (2006): 56-59.
Stein-Greben, Dieirdre. “Susan and Michael Hort.” ARTnews 105, no. 7 (Summer 2006): 140.

“Bright Young Things.” ArtReview (December 2005): 102.
Dan, Liviana. “Curators Have Dreams.” Arhitext, no. 8 (2005): 150. Neal, Jane. “Alice Cattaneo, Victor Man, Eli Stertz: Analix Forever.” Flash Art 38, no. 244 (October 2005): 131.

Museum and Public Collections

Centre Georges Pompidou, Paris, France
Centre International d'art et du paysage de Vassivière, Beaumont-du-Lac, France
Contemporary Art Collection of the Federal Republic of Germany, Bonn, Germany
Galleria d’Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy
The Israel Museum, Jerusalem, Israel
Los Angeles County Museum of Art, Los Angeles, CA
MUDAM, Musée d'Art Moderne Grand-Duc Jean, Luxembourg, France
Museum Boijmans Van Beuningen, Rotterdam, Netherlands
National Museum of Contemporary Art, Bucharest, Romania
San Francisco Museum of Modern Art, San Francisco, CA
Tate, London, UK


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